White incense, matte and chalky: violet leaf and styrax over vegetal musk, ambrette, sage and frankincense wood, on white benzoin and sandalwood. Anaïs Biguine drew it from the woman in the cornette that Rogier van der Weyden painted around 1435 — the image Chapel Factory says it has carried since the beginning — and turned her spectral whiteness into a mineral veil.