Alberto Morillas's card-table woody for his own house — bergamot and black pepper opening onto Damask rose, Oud Assafi and patchouli, with incense, Dreamwood and an amber accord underneath. Mizensir sets the scene in the hush of a private salon where the cards fall, and Morillas describes it as a precise accord of rare woods and a pure oud, a polished, patinated wood built to last rather than to shine. A 100 ml extrait in a semi-transparent blue flacon by Pochet du Courval.
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